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Re: Designated Old Cast TopicTopic%20Title
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Robin Goodfellow has put together everything I've wanted to say in one post. I fully agree with it. You, icer, will just keep saying "LOLOL ITS AN AU OBVIOUSLY" until there is the sign in the middle of GK that says "APOLLO JUSTICE IS NOT AN AU" when it doesn't have to. No matter what new thing you'll resort to, you will run out of things to say, and you'll have to eventually accept every game as canon, unless DIRECTLY said by Capcom otherwise. Not through hints.
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Re: Designated Old Cast TopicTopic%20Title
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To be absolutely fair to Icer, you could put the sign up to anyone in this fandom and it'd not work. (yes, including me). Especially the PxE shippers. *runs away from pitchfork mob*
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Geez everyone was starting to cool down and now everyone's getting all personal and belligerent again. sheesh..
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Re: Designated Old Cast TopicTopic%20Title
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Gerkuman wrote:
To be absolutely fair to Icer, you could put the sign up to anyone in this fandom and it'd not work. (yes, including me). Especially the PxE shippers. *runs away from pitchfork mob*

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icer wrote:
Does that mean to imply you agree it isn't?


I'm just wondering what this "conceptual AU" idea is meant to achieve. On the one hand, it seems that you're using a lot of evidence and giving it your interpretation of it. In that case, the fact is that every single one of those things has an alternate explanation that is just as plausible, if not more. For example, the interpretations of the ads I find to be rather out there. The portrait scrolling thing is probably just a chronological listing of games, perhaps? The apparent contradictions are also not a big deal; the PW writers couldn't even get their own story straight half the time. None of it is solid proof and, as it stands, the myriad of ghost reports around the world have just about the same credibility just because there are so many of them.

On the other hand, it seems what you're trying to argue is actually a LOT weaker (in this context, a "weaker" statement just means that there are fewer useful consequences; e.g. "I stole a car" is weaker than "I stole your car yesterday") than your confrontations with other users about this keep making it out to be. In this case, I still don't understand what the big fuss is about. What would be brought about as a result of this "conceptual AU" thing?

I don't think having multiple versions of the series would be very wise, either. DC comics, for example, had tons of alternate universes due to characters getting different authors and getting put into what-if scenarios. However, one day, they all got mashed up into one universe. People were probably annoyed that there were so many different stories associated with Batman or Superman or whatever. I would have been (and I was for the short time I was into Batman).
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I was just pointing out that even if the dev team went out and said that it really was an AU, I probably still wouldn't believe them. Same with what would happen if the writers came out and said that Phoenix and Miles definitely aren't gay for each other, the yaoi fans would just ignore them. Everyone ignores what they don't want to hear, just ask Gregory House.
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Gerkuman wrote:
I was just pointing out that even if the dev team went out and said that it really was an AU, I probably still wouldn't believe them. Same with what would happen if the writers came out and said that Phoenix and Miles definitely aren't gay for each other, the yaoi fans would just ignore them. Everyone ignores what they don't want to hear, just ask Gregory House.

"The author never has the last word on their own work." - Roland Barthes, heavily paraphrased.

Come on this is basic literature criticism theory at best, and yes it can be applied to video games if, y'know, we got over the fact that people play these games for fun and some of them are worthy of study at a higher level.
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I've always hated the 'Author is Dead' theory because it means that anyone can get away with believing anything about a piece of work. I mean, I don't mind people having their own wacky theories about things, or discussing them, or even believing their idea is better. But some people actually go out and say that the author is wrong about their own freaking book, which makes no sense at all, otherwise they would'n't have written it. XD

I mean, to me at least everything canon is canon. It's the vague bits that define what we can make up ourselves. But as I said, that's just me :)
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Emperor Ing wrote:
icer wrote:
That won't 'prove' anything about the writers' intentions when they were writing GS4. It will merely determine how it's going to be handled with regards to the GK timeline.

Then we can both agree that this is a pointless fucking argument, if that's the approach you'd like to take.

Why? The writers/producer were eager to write a new story, separate from GS3, that they chose to conceptually disassociate from it as much as possible. I can't believe people even think they can carry the argument this is supposed to be a follow-up to GS3. The only debate is whether it's a separate timeline, or whether at some point on the same timeline a whole load of past history and characterisation was deemed functionally redundant for Phoenix.

The future of the series is whether they will NOW patch up GS4 by making an attempt to make it a continuation of GS3 specifically, by fixing some of that gross discontinuity in GS5 and/or GK, [ie dealing with Edgeworth and the disbarring and ret-coning in some help or reasons why he couldn't help Phoenix, returning characters like Maya and Edgeworth to GS5 or at least mentions of them consistent with if GS4 was after GS3's characterisation] or will maintain the 'separation' of the arc's historical relevance purge, or avoid dealing with it altogether, by having Phoenix barely/not appear in GS5.]

I find it odd that people demand that GS4 is a continuation of GS3 but are simultaneously rabidly opposed to any measures in future games that would make it a plausible continuity to GS3. You know the policy is that it isn't and GS3 is redundant. That GS2 and 3 have suddenly become functionally redundant at some point in history is a far more irrational concept than GS4 being a separate story with its own timeline. The future of the series is whether the 'GS3 is redundant' policy will be continued or ret-coned in the AJ arc or future games mentioning AJ [GK etc.]. The main point of contention in the fandom is over how acceptable the GS3 is redundant policy is, and to what point it should or should not be reversed.

And I'll reply to everyone else later.
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Re: Designated Old Cast TopicTopic%20Title
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Gerkuman wrote:
I've always hated the 'Author is Dead' theory because it means that anyone can get away with believing anything about a piece of work. I mean, I don't mind people having their own wacky theories about things, or discussing them, or even believing their idea is better. But some people actually go out and say that the author is wrong about their own freaking book, which makes no sense at all, otherwise they would'n't have written it. XD

Generally, they'll stick to the text and nothing but the text. Even if the author didn't mean to write it like that, they'll stick to the text before going to the author for a clarification. That's the structuralists for you. The thing is, so long as an author is alive, they can re-edit the text, which would invalidate every single thing they've proven. Then again, that was one of the many reasons French studies used to not study living authors.

Nowadays, it's much more relaxed.
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capefeather wrote:
I'm just wondering what this "conceptual AU" idea is meant to achieve.[..]


You seem to be implying 'alternate conceptual timeline, why bother? Why?'

I can ask you the similar question. Why NOT? Why is the concept so threatening to people?

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In that case, the fact is that every single one of those things has an alternate explanation that is just as plausible, if not more.

If every single one has an explanation which is just as plausible, if not more, how come I haven't seen adequate alternate explanations, not just to individual points but the concepts and seeming production standards as a whole. GS2 and 3 have been forcebly demoted to a murkey grey area, an undefined 'unreality; the effect is surreal. Really we all sense this, subconsciously at least, and debate centres around to what extend this causes cognitive dissonance to people and how much they see it as a 'problem'. If you think about it in literal terms, such bizzarre demotion of a load of past history to semi-unreality/inconclusively define grey area has no logical parallels in observable reality or even many precedents in fiction, especially since this shaded unreality did not cover the entirety of Phoenix's backstory, only that past 1-5 timepoint.

The mental compensations required are too extreme to be justifiable. Sure, some of you people have succeeded in making them, but the sheer discontinuity which must be accounted for could not have been merely 'accidental'.

Part of the reason this bizarre 'historical/backstory relevance reset' is marked as something more intriguing, is that it does not consign all Phoenix's backstory to a shadowy unreality, only GS2 and 3. 1-5 is given genuine reference and theme, characterisation, plot and relationship continuity.

I didn't decide I wanted this to be an alternate timeline, oh no, it's like discovering global warming or something. After examining the game, peoples' varying reactions and the discontinuity, this is just the unfortunate conclusion I came to of the writing and production.

GS4 was not produced as, written as or intended to be a follow-up to GS3 and all you people know it, subconciously. This is why you paraphrase it as 'It's Apollo's Turn Now!' and feel genuine attention to characters like Edgeworth or Maya in GS5 or Phoenix again becoming a lawyer are 'unnecessary', because that would render it as a follow-up to GS3.

The concept of two games' worth of Phoenix's character development, relationships and detailed history being rendered redundant and inconsequential to the present at a point arbitrarily two months after '3-5', datewise, in some sudden mass purge because 'A NEW ARC occurred' is simply nonsensical. It's contradictory and has no parallel in reality and few if any in fiction. If there are some enlighten me, but in a series devoted to contradictions and untruths, it's unprecedented.

And in all honesty, I don't think that Takumi or even Matsukawa would ever deem such insanity of making a production standard of 'GS2 and 3 are suddenly irrelevant and redundant, but 1-5 and earlier is not, in terms of plot and characterisation, but it's still supposed to be a follow-up to GS3, timelinewise, some purge of PART of Phoenix's past history just demoted it to irrelevancy.' No, such a decision is far more likely to have occurred in the highly precedented occurrence of them deliberately writing a separate scenario. Fiction abounds with these precedents. NEW STORY, which happens to feature a character, but we all know that the stories aren't necessarily on the same timeline, and if there are enough contradictions, and a production value of suppressing anything which will conclusively align it with GS2/3's actual plot, it suggests it isn't.

So, some people liked GS4 and do not think the 'reality purge' is consequential enough to care. They have not consciously assigned it literally as a separate TIMELINE, but their subconscious has already aligned the 'separate story' in this area, as they think connection to GS3 is irrelevant, inconsequential and redundant, and fixing the 'discontinuity' in GS5 is irrelevant. That the forced redundancy point is not Phoenix's entire backstory, but only time after 1-5, marks it more blatantly as not just a simple decision of 'Phoenix's past is shadowed and that's why old games are deemed redundant in discourse', because his entire backstory is NOT.

And think about how insane this production decision is, if it's a continuation of Phoenix's GS3 scenario: Phoenix's character development, characterisation, plot and relationships from a year 10 years previously are still exerting consequence, bearing and relevance int he new arc and present plot and reality. But, at a timepoint 2 years after the end of 1-5, 2 years of his character development, relationships and plot detail were suddenly deemed functionally inconsequential and irrelevant ['2 months after '3-5''] but this purge did NOT affect the year before GS2.

By the timepoint '2 months after '3-5'', this relevancy redundancy purge had already occurred, belying it's 'character change over 7 years' and it happened before the disbarring, belying that it was cause by the disbarring event.

As we can see, this kind of occurrence in anybody's life scenario is insanity, could only occur in a plot if a character was hit on the head and forgot 2 years of life or something, otherwise carrying the players' suspension of disbelief is implausible,. And i don't think Takumi would insult the fans' intelligence by ever expecting them to swallow such a contradictory production decision to effect the 'new arc' . And it's all hinted in his assertion of 'new story'. [By the way, poor Takumi seemed to have been in serious troubles over being forced to return Phoenix. 'Tied down' etc. That he makes such admissions in a very public Capcom blog is telling.] Such precedents of new timelines for new story/scenario occur constantly in fiction. And, naturally, Matsukawa wanted to continue the NEW STORY at her own story of 1-5. The utter confusion comes, of course, in that 1-5 was conclusively iN Phoenix arc, integrated almost seamlessly into it, so it's not a totally separate scenario from Phoenix arc as a whole, just GS2 and 3, making it less obvious.

Worse, is that the entire GS4 fgame is surreal. I initially assumed they were forced to market it as a follow-up to GS3, because that's what everyone seemed to assume it was, but nobody has been able to provide me with the requested evidence this occurred, all the examples I have found thus far suggest it's UNDEFINED. Phoenix was 'returned', yes, but nothing seems to define it as not a return of his 1-5 character [after alternate 'new story' development'].

And I believe that in terms of writing and concept, this was conclusively an alternate scenario, a continuation of 1-5, and if GS2/3 are redundant but 1-5 and earlier is not, that conclusively renders a separate scenario TIMELINE conceptually, because the '2 previous years becoming redundant but the year before that not', simply is irrational and unprecedented.

What's the official line of release? I believe the official line is 'GREY AREA'. Takumi and Matsukawa intended an alternate timeline/scenario, the closest they could effect to a [desired] genuine separate arc whilst still returning Phoenix to a pivotal role, but due to marketing/acceptability/confusion, it could not be CONCLUSIVELY labelled as one, much as they wanted to break away with their 'new story'. But, neither is it defined as a follow-up to GS2/3, obvious constraints are in effect to prevent it being explicitly defined as one. This suggests Takumi and especially Matsukawa don't want it to be, because it is ACTIVELY prevented from having conclusive and literal associations to make it one.

Having a 'reality relevance reset' of 2 years, but not the year before that, is illogical and irrational and unprecedented. Having those 2 years redundant to the present but not the year before them) becasue this is a separate scenario which included 1-5 but not GS2/3) is totally precedented, reasonable and removes almost all contradictions flawlessly. Separate scenarios in fiction occur on separate timelines. Never is a load of past character development suddenly purged for a new scenario on the SAME timeline of a character's life, save bizzare plot devices to effect it.

Writing a separate sscenario timeline for Phoenix may have been dumb, but it's what occurred. Recontextualising the timeline in hindsight to ret-con it to be a continuation of GS3 is what fans want when they plead for return of old chars/Phoenix a lawyer etc. [as they do not find this 'reality purge' plausible]. Keeping it a separate scenario is what fans demand when they decry such return to GS3 as unnecessary. As it stands, the discontinuity from Gs3 and the assertion 'GS2 and 3 suddenly became redundant in Phoenix's life, but 1-5 did not' is illogical, contradictory and unprecedented if it's supposedly in the same life scenario for Phoenix as GS3.

However, it's clear conceptually this scenario was NOT intended to continue after the specific GS3 STORY, and GS4 is actively prevented from conclusively defining it as such, ever. This is the production value they desired, and the one you Apollo fans adhere to religiously. Due to whatever reasons, they were unable to execute this 100% explicitly. Note the entire game is surreal - how much of 4-4 is to be interpreted literally and where exactly does the 4th-wall breaking begin and end? We'll never have a conclusive answer - I believe even the writers probably view it as 'shadowy undefined grey area'. Much like Phoenix's entire appearance in the game.

And 'grey area' and 'undefined' was probably a poor decision with regards to Phoenix's past and present and literal relation to previous games, as it creates the kind of extreme controversy we see now, fighting over whether and to what extent it should be continued as a separate scenario, ignoring the gross discontinuity, or realigned as a plausible follow-on to GS3, which is its NOT.

Why a separate timeline? Because a new conceptual story with past history missing but some still there before a certain point is an alternate timeline, conceptually, it's what Takumi and Matsukawa were thinking, since a 'reality rest' on the same timeline but not of 1-5 is illogical and unprecedented. Everybody understands this is conclusively defined as the 'new story' Takumi wanted, nobody complains about contradictions, such radical compensations do not have to be made in players' minds, there will be no demand from fans or marketing to return GS3-era plot or chars and compromise the separate story, Phoenix arc can again be properly marketed and enjoyed as a separate property et al.

[If you're so worried about the sanctity of canon, how do you explain the 'alternate timeline' of, say the musical? A second is going to be produced, and it has official blessing. A separate scenario featuring the character Phoenix Wright! Ah, but it's official, and it must be canon, and nobody actually said it was an alternate timeline...]

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In that case, the fact is that every single one of those things has an alternate explanation that is just as plausible, if not more.


What alternate explanations. I don't mean whatever imaginary fantasy we invent to compensate for every single plothole. I mean for the production policies as a whole. It's a continuation of Gs3 - but tangible references or consequences of GS3 are actively suppressed/ It's so as not to 'confuse' new players - but a magatama and jurist job are pulled out of thin air and 1-5 would not be confusing? Unreturned chars are not mentioned by name? It's because they're irrelevant and it's a new story. But no precedents of 'new story' rendering large fundamental sections of somebody's life redundant but others not are irrational and unprecedented.

Either it must be explicitly defined as a new story by being on the separate timeline it conceptually is, or it musty be made an actual continuation of gS3 and thus address the gross discontinuity in GS5/GK, GK'2' etc. by returning old chars and explaining their absence. Redundancy reboots of Phoenix's life just after 3-5 are illogical and continuing such bizarre insanity on what is hazily 'maybe the same timeline or maybe not' will just continue to divide the fandom and compromise both Phoenix and Apollo arcs. And that's what it officially is.

'Maybe' the same timeline, since we didn't conclusively define it. Gery area. We wanted To make a new story with association SEPARATION from past timeline, but our return of Phoenix turned it to mud.

So finally conclusively DEFINING the official 'surreal grey area' as 'separate story/scenario, which occurs by definition on a separate timeline, since part of Phoenix's backstory is redundant but part is not' finally gives the writers the official separation they desired, removes all the contradictions, placates all the fans who felt it ruined Phoenix arc etc.

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For example, the interpretations of the ads I find to be rather out there. The portrait scrolling thing is probably just a chronological listing of games, perhaps?

Funny you should mention that as the sole 'argument' to contradict. I never claimed it was marketed as anything but a follow-up to GS3, I assumed it was. But nobody provide me with evidence and the only ads I can find are INDETERMINATE. It's just as plausible to interpret GS4 as a follow-up to 1-5, not GS3, no 'evidence' thus far indicates any kind of 'continuation of GS3' or 'sequel to GS3 or whole Phoenix arc' marketing.

The marketing is half the point anyway, it would not have been wise to market it as an 'alternate scenario' explicitly, we assume Capcom decided, as Phoenix was the 'hook' to force a purchase by old players, and this is less guaranteed if they know it's explicitly an 'alternate scenario'. It's likely this is the major reason that the conceptual alternate scenario did not get to be explicitly called one in its final incarnation. That there is nothing to conclusively define it as a follow-up to GS3 explicitly when a direct ref would have been so simple, indicates they did not want this to be the case either.
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the myriad of ghost reports around the world have just about the same credibility just because there are so many of them.

This is not a valid comparison to anything.

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In this case, I still don't understand what the big fuss is about. What would be brought about as a result of this "conceptual AU" thing?

I don't understand the fuss either. Either it is a separate story like everyone here demands, and thus exists on a separate conceptual timeline consistent with the game where Gs2/3 is functionally irrelevant [but <1-5 is not] OR it is a continuity of GS3 with gross DIScontinuity that people should have no problem with GS3 chars appearing in GS5 et al [because how often does a 'new story' suddenly occur in someone's life and render their relationships and characterisation of 2 years redundant.]

The 'grey area unreality indeterminate' nature of GS4's official relation/production policy to past games, which is the MAXIMUM we can actually take its official designation with regards to GS2/3, is really something which has to be determined , else the series will just continue to be mired in controversy. Official designation as an alternate timeline, given the situation they created, will probably be the best option in both freeing the producer to an actual new story not constrained by fake superficial ties to Phoenix arc [which is what Apollo fans want] and placating fans who didn't like how GS4 compromised Phoenix arc by 'ret-coning' GS2 and 3. Other options would be making it, in hindsight, a plausible continuity of GS3 by patching up in GK/GS5 [but Apollo fans would complain about returning old chars threatening 'Apollo's' arc.]. or simply getting Phoenix out of GS5 and effectively pretending the 'transitional game and its questionable reality and undefined continuity didn't exist/should be forgotten with regards to Phoenix.

Status quo of leaving the continuity as officially/productionwise UNDEFINED is unacceptable.

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People were probably annoyed that there were so many different stories associated with Batman or Superman or whatever.

There were about a billion Superman plots, there are only 2 GS 'arcs' and Apollo is supposedly the main char in the 2nd 'arc. Surely people can get their head around that one, so its' not like there'd be the same level of confusion. [And we already have that obvious AU of the Tazakura, for what it's worth. Imagine trying to mash that one in...]

Spoiler: Reply to Phoenix_Apollo etc
*sigh* you can't even rebut my actual arguments. The official designation in terms of follow up to GS3 is not better than 'undefined grey area' yet you still cling to LOLLOL it's a continuation of GS3 scenario obviously - what, you want GS3 chars to return? NO, it's a NEW arc [and that's not contradictory?]
Who said GS4 wasn't 'canon'? Alternate timeline are just as canon as each other.

I'll paraphrase too then. 'Oh I'll just ignore everything. It's not better than surreal and officially undefined that Gs4 is a continuity of GS3 but somehow I managed to compensate all the contradictions as irrelevant, even if it didn't' make logical sense, so anyone who didn't is stupid, no you can't threaten the sanctity of 'canon', I ASSUMED it was a continuity of GS3, however implausible and without official designation, so that's what it IS, even though, contradictorily, I simultaneously regard GS3 as redundant!

And what do you base your assumption it's a continuity of GS3 on? In your words, 'through hints', hints of the vaguest sense which have NO literal context int eh game, only in your own heads! Takumi even SAID it wasn't a continuity of gS3. How can you persist in this idea AND simultaneously refuse actual alignment of it as a more plausible continuity of GS3 in GS5? It's confusing.

Spoiler: Reply to Robin Goodfellow
Why would GK be another timeline? It all depends, whether they tackle the GS4 issue [and thus belatedly effect a ret-con of Edgeworth into the GS4 scenario world] or whether they will avoid it [continuity indeterminate].

It bears no relevance to the statement 'GS4 was written, conceptually, as an alternate scenario to GS3.' Just to how the GS4-GS3 discontinuity may be handled in FUTURE strategy in the franchise

Also, you seem to be making totally erroneous assumptions of my motivations on this issue. I only wanted to understand the controversy surrounding GS4, it s reception and why there is such debate over the discontinuity and why some people see it as irrelevant. It's not my fault people don't see this as a 'discussion forum' but WWIII or something, whenever the discontinuity issue is touched upon, which just proves everyone is really aware it's officially a grey areas and thus feel 'threatened' in their tenuous position.

[Aside from returning Phoenix to a major role, the biggest failing of GS4 was having his continuity so inconclusively undefined. It means nobody is 100% happy, much as you cling to 'the writers are always right [except if they decide to make him a lawyer again or bring back Maya or do x - that would be 'fanservice']. Unhappy enough that merely suggesting a different angle to view GS4 seems to be the equivalent of dropping a nuclear bomb. I've got to say it's a fascinating issue.

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Re: Designated Old Cast TopicTopic%20Title
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icer wrote:
capefeather wrote:
I'm just wondering what this "conceptual AU" idea is meant to achieve.[..]


You seem to be implying 'alternate conceptual timeline, why bother? Why?'

I can ask you the similar question. Why NOT? Why is the concept so threatening to people?



AU's get really complicated and confusing, especially to people who are new to fandom. Take Gundam. I'm just going to assume you know nothing about it.

What's the difference between Gundam Wing and Mobile Suit Gundam?

Do Gundam 00 and Gundam 0083 take place on the same timeline or what?

Gundam Seed has a story line sort of similar to First Gundam, do they take place in the same universe or what?

Now considering the fact that Gundam is 30 years old and a huge as crap franchise, this kind of thing is acceptable. Ace Attorney is 8 years old with 4 games and is a relatively small franchise. There's no need for an AU because by changing the main character they eliminated all of the problems that comes with treading the same ground over and over again that Gundam was bound to have. It's pretty funny though; anyone would scoff at a person who bitched about the protagonist of Zeta Gundam being Kamille as opposed to Amuro. I think the appropriate reaction would be doing the same to anyone who suggests Apollo taking the reigns as the lead character was a bad idea.
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Icer, that was a huge wall of text!

So you said several times that "1-5 and before are important to Phoenix's life, but the next 2 years aren't.
Let me ask: What, from 1-1 to 1-4 had ANY direct effect on GS4's story?
Let me answer my own question: Absolutely nothing. Not more than GS2-3. In fact, less, because there is the Magatama.

Also, Phoenix in the flashback is more self-confident and experienced than in 1-5. This suggests that he took several cases in the 2 years between them.
You could say "oh yeah, they could be any kind of random cases". But then what about before 1-5? Same, it could be any random cases, as none of them affect GS4 directly.
You may say "he could have got the Magatama any other case." But then, he could have met Ema in any other case. She only said that Phoenix had helped her in a case 10 years ago. It doesn't have to be 1-5, if we follow your logic.
Let me ask: If you need to fill the gaps with any random cases, why not assume that it was really GS1-2-3 that happened?

None of the events in 1-5 affect GS4. It's mentioned only because Ema is present in GS4, and what other cases can be referred? Ema wasn't in anything but 1-5. If Apollo met Adrian, she'd vaguely mention 2-4, or maybe 3-2.

What do we know about Phoenix's backstory in GS4? He was a lawyer for 3 years, he took many mysterious cases, in one of them he helped Ema, and in another one he got the Magatama (from someone who isn't mentioned by name because Apollo doesn't meet her). Oh, and let's not forget that he has a bad feeling about the couch in the defendant lobby and memories of the Magician Grand Prix. And in one case, there was the scarf in the exhaust pipe thing, too.

So what can we conclude from this? Meeting Ema and getting the Magatama have about the same importance, and everything else are Easter Eggs, as you call them. 1-5 isn't more important for Phoenix than anything else.

1-5 is more important to Apollo than Phoenix's other cases, because he met Ema and not characters from other cases in the original trilogy. But to Phoenix, everything is equally important. GS2 and 3 aren't more redundant than GS1.

If GS2-3 were really ret-conned, it would mean something, like... Phoenix talking about Maya as "she was my assistant who lived with me for a couple of months after her sister died, then she returned to her village" without saying anything about the post-1-4 events. And guess what, it's the exact opposite, the only references (without name) for Maya are the Magatama (2-2) and the DVD's (which include 2-4's Nickel Samurai and shows not mentioned in the original trilogy, which suggests that they are newer). And the noodle thing, which isn't a single event, but a continuous one after 1-2.

I think your problem is that 4-4's flashback isn't connected to GS3.
Trust me, new important events can happen to us that are unrelated to everything before (4-4 flashback wasn't related to anything), but life goes on, and the older events are just as important to our life in general as before.
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Icer, I don't care how long you can write posts, you CANNOT tell me how I think conciously or not. All of this "you may say this, but you really think this in the back of your head" stuff is bull.

And Szabu brings up a good point. What DO 1-1 through 1-4 have to do with AJ? Nothing. Aside from what she has said, I know you will bring up another point in your counter argument. The THEME of 1-5 seems to be the same as AJ.

And I ask, why can that not be the same? The same writers wrote 1-5 and AJ. However, that doesn't mean anything. The same group of writers (including many AJ writers) made the original trilogy, so their themes were somewhat similar. Some new writers came for AJ and 1-5, so it's not going to be the same as it was before because of the new imput.

It's like saying that the last Wheel of Time (I think that's the name) book in the series is going to be EXACTLY like how the author, Robert Jordan (I believe that's his name) wrote all of the other books. But guess what? It isn't. Robert Jordan is dead, and someone is taking over with many notes from the author. Can you bet some stuff would change and stuff that wouldn't appear in RJ's books will come up, no matter how this new author tries to make is seem like the other books? Definitely. Because it's involving OTHER writers. It may have the heavy imput of vet writers, but even one change can mean something different for the next product. That is why the themes are alike.

Oh, and story elements =/= themes.
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Spoiler: "Reply 1"
icer wrote:
That GS2 and 3 have suddenly become functionally redundant at some point in history is a far more irrational concept than GS4 being a separate story with its own timeline. The future of the series is whether the 'GS3 is redundant' policy will be continued or ret-coned in the AJ arc or future games mentioning AJ [GK etc.]. The main point of contention in the fandom is over how acceptable the GS3 is redundant policy is, and to what point it should or should not be reversed.


icer wrote:
I can ask you the similar question. Why NOT? Why is the concept so threatening to people?


It seems like you're making a distinction based on whether the writers will intentionally contradict the Phoenix arc. It's not that I'm "threatened" or whatever. It's just that when people see the same character in two games, the natural assumption is that the two games are part of the same timeline. The CAU idea seems pointless and vague to me. I'm still not convinced that it would have any benefit or disadvantage over the natural assumption and it doesn't seem sensible to challenge the natural assumption when alternative seems to fix absolutely nothing and it's no more grounded in solid proof. "Redundant", "different timeline"... What's the difference, ultimately? Does it mean that the Apollo writers get freedom to contradict the Phoenix arc liberally? The problem with that is that that issue, in all likelihood, will never, ever come up. The Apollo writers probably won't even think about contradicting the Phoenix arc for the same reason that it might be considered pointless to challenge the natural assumption. It's not like they're going to pull a Batman Begins, where they explicitly intended to make it completely separate from the unified DC universe.

Ultimately, it seems like all this is is an attempt to appease the stubborn, the stupid, and the reactionary, people who can't accept that a series can change, and thus hate AJ unfairly. This excludes people who dislike AJ out of preference and/or due to genuine reasons, though. If that's the case, why bother? They're just a vocal minority anyway. People can, you know, just accept that there is a problem. It's not like anything's going to change if we ignore it.

Chrono Cross isn't a different universe from Chrono Trigger just because only one of Trigger's writers worked on Cross, even if Cross contradicts Trigger in several areas. If there is any controversy about how Cross handled the series (and there is controversy), the developers don't have to do squat to remedy such an ultimately minor problem. In fact, they didn't do anything until the DS remake of Trigger, and even then, they gave players a new controversy to worry about: whether Guile is Magus.


Spoiler: "Reply 2"
icer wrote:
If every single one has an explanation which is just as plausible, if not more, how come I haven't seen adequate alternate explanations, not just to individual points but the concepts and seeming production standards as a whole.


You have some examples in your little page over there. Sure, they're not grounded in fact, but for this kind of situation, nothing is grounded in fact. And that doesn't make those explanations invalid, just unsound. Your alternatives aren't exactly sound, either, relying heavily on interpreting the thoughts of the developers.

icer wrote:
The mental compensations required are too extreme to be justifiable.


No, they aren't. It seems like you're confusing holes with blatant contradictions, and I'd say that none of what you've brought up is a blatant contradiction.

icer wrote:
I didn't decide I wanted this to be an alternate timeline, oh no, it's like discovering global warming or something. After examining the game, peoples' varying reactions and the discontinuity, this is just the unfortunate conclusion I came to of the writing and production.

GS4 was not produced as, written as or intended to be a follow-up to GS3 and all you people know it, subconciously. This is why you paraphrase it as 'It's Apollo's Turn Now!' and feel genuine attention to characters like Edgeworth or Maya in GS5 or Phoenix again becoming a lawyer are 'unnecessary', because that would render it as a follow-up to GS3.


All you're doing is stating a demonstrable fact that no one's denying, and you're putting the "Apollo's turn" argument into the wrong context.


Spoiler: "Reply 3"
icer wrote:
And in all honesty, I don't think that Takumi or even Matsukawa would ever deem such insanity of making a production standard of 'GS2 and 3 are suddenly irrelevant and redundant, but 1-5 and earlier is not, in terms of plot and characterisation, but it's still supposed to be a follow-up to GS3, timelinewise, some purge of PART of Phoenix's past history just demoted it to irrelevancy.'


I honestly don't know why you consider 1-5 so much more relevant to AJ than the other cases. I don't think it is. Sure, you have characters returning from that case, but most of them are minor characters and another was changed drastically. Other than that, 1-5 is not that much more relevant than anything else. If anything, I'd say that AJ Phoenix is hardly based on anything specific in Phoenix's arc at all. He was just a lawyer whom had a knack for turning things around and whom Apollo idolized somewhat, and Ema was just one of those people whom have him to thank for his achievements. It's not like they can completely ignore Ema's past with Phoenix, what with her making a personal appearance, but the extent of that reference is very minimal and its impact on AJ is nonexistent.

One good example of this is StarCraft. The novel Queen of Blades introduced a character named Matt Horner. The novel itself contradicted the game left and right, and from what I heard the novel was deemed non-canon (or, at least, a lower level of canon than the game). However, some time during StarCraft II's development (it's still in development :chinami:), the game's story developers, one of whom had complete control over the StarCraft game's storyline, decided that Matt Horner was "cool" and put him into the game. A couple of other ideas from the novel were adopted and canonized as well. That doesn't make the novel more important than anything else, and it certainly doesn't make it more important than the original game.

Another interesting point from StarCraft is that one of the main characters, Jim Raynor, is now a heavy drinker who's getting discouraged and being tempted into piracy. There are plenty of people that see this characterization as too different. But it would be kind of silly to consider StarCraft II an alternate universe, even if it occurred right after StarCraft I. Who knows? Maybe they'll make a flashback mission and forget that Jimmy isn't supposed to be a heavy drinker, or forget to change his model to reflect his StarCraft I appearance better, or something. Even then, they could refer to other novels to account for it.

I get a similar vibe from the story developers of Ace Attorney; they don't seem to care all that much about strict continuity at the moment. Whatever they authorize is part of the mess that they call a universe, and they may come to try to solidify the universe one day... or, unlike Blizzard, they may not.

I think you're making too big a deal out of the whole "purge" thing. You also seem to be comparing this to comic book universes, where people are authorized to write a story about someone but they can ignore precedent all they want. This is very, very different from the situation here, where the same main developer group, which may have changed members but still has the same director, contributes to the top-tier canon storyline. In games, people don't often care all that much about getting the plot straight and they just want the story to be good enough to carry the player through the game. To bring back the example earlier, StarCraft products contradicted each other all the time, but there was never any thought about creating alternate universes where one product holds in one but another product holds in another. The story developers for that game have explicitly referred to StarCraft as a single universe many times.


Spoiler: "Reply 4"
icer wrote:
What's the official line of release? I believe the official line is 'GREY AREA'. Takumi and Matsukawa intended an alternate timeline/scenario, the closest they could effect to a [desired] genuine separate arc whilst still returning Phoenix to a pivotal role, but due to marketing/acceptability/confusion, it could not be CONCLUSIVELY labelled as one, much as they wanted to break away with their 'new story'. But, neither is it defined as a follow-up to GS2/3, obvious constraints are in effect to prevent it being explicitly defined as one. This suggests Takumi and especially Matsukawa don't want it to be, because it is ACTIVELY prevented from having conclusive and literal associations to make it one.


Trying to read the developer's mind can get very dangerous, regardless of how valid the argument is. What the developers intended doesn't really matter in the end because no one can conclusively read their mind. It only matters that they advertised and described the game in certain ways. They left it rather gray in the ads, but that's not soundly indicative of anything other than perhaps what we already know from, again, what they've explicitly said about the game.

I honestly don't like it usually when there's a spinoff of a story and elements from the original story come back. I feel it's corny and takes away from the spinoff. Maybe the developers agreed... So interpretations can go in any direction.


Spoiler: "Reply 5"
icer wrote:
Why a separate timeline? Because a new conceptual story with past history missing but some still there before a certain point is an alternate timeline, conceptually, it's what Takumi and Matsukawa were thinking, since a 'reality rest' on the same timeline but not of 1-5 is illogical and unprecedented. Everybody understands this is conclusively defined as the 'new story' Takumi wanted, nobody complains about contradictions, such radical compensations do not have to be made in players' minds, there will be no demand from fans or marketing to return GS3-era plot or chars and compromise the separate story, Phoenix arc can again be properly marketed and enjoyed as a separate property et al.


That completely ignores the higher-order impact this would have on the fanbase. At this point, it would look like a cop-out and a drastic measure done just to appease loud, angry fanboys/girls, and ironically enough, lots of fans don't like that, either. And it would necessarily be considered drastic by many simply due to the natural assumption I talked about earlier.

icer wrote:
[If you're so worried about the sanctity of canon, how do you explain the 'alternate timeline' of, say the musical? A second is going to be produced, and it has official blessing. A separate scenario featuring the character Phoenix Wright! Ah, but it's official, and it must be canon, and nobody actually said it was an alternate timeline...]


This, again, fails to recognize the distinction between creator-published and creator-authorized works. Take Star Wars, for example. (Wow. I'm starting to sound like a hardcore sci-fi nerd :meekins:) There are the movies made by George Lucas, and then there are the countless other media concerning Star Wars that comprise a Lucas-authorized universe. That is, Lucas has nothing to do with the expanded Star Wars universe, and he has reportedly read very few Star Wars books, if any. The thing is, though, that people whom like only the movies and don't care about anything else, well, don't have to care about anything else. They trust (and, in Star Wars's case, they know) that the movies will trump everything in terms of canon. The same distinction can be made for the musicals, the manga, etc. but not for something that's called "the fourth game".

(lol @ quoting me twice)

icer wrote:
capefeather wrote:
the myriad of ghost reports around the world have just about the same credibility just because there are so many of them.


This is not a valid comparison to anything.


I'm just saying that lots of evidence doesn't conclusively prove anything. Explanations like "Maya couldn't go to Phoenix" or "Maya did go to Phoenix but it's not relevant to Apollo" or "Maya used to go to Phoenix but she can't go that often because she's not a money tree, and it's a lot cheaper just to send him those videos" are valid just as "Maya doesn't exist" might be valid. Likewise, every valid point can be countered by another valid point, one by one, to show that the conclusion is far from sound.


Spoiler: "Aside"
icer wrote:
It's not my fault people don't see this as a 'discussion forum' but WWIII or something, whenever the discontinuity issue is touched upon, which just proves everyone is really aware it's officially a grey areas and thus feel 'threatened' in their tenuous position.


And yet I'm starting to think it is partially your fault. Sure, something like this is bound to get people angry because it's a radically different suggestion. (My claim that RPGs don't have "best characters" because RPGs don't have competitive goals met with a considerable amount of backlash, and then there's the intense enmity between Smash World Forums and Shoryuken to name one such forum-to-forum rivalry.) However, there's more to it than that. The way you go about communicating your arguments strikes me as very confrontational, almost insulting at times.

1. No. You do not conclusively know what other people think, not even what groups of the fanbase think in general. This includes characterizations of people. I do not know this either, and neither does Croik or anyone else. Just saying "you think this" is anger-inducing in general even if you are right.

2. No. You don't have to repeat the same thing over and over again in the same couple of paragraphs or even in the same post. All that does is intensify any negative reactions to what you're saying. At least that's the impression I get.

3. No. What other people think do not necessarily run into self-contradictions, and implying as such is stupid and just makes you look closed-minded, which is supposed to be your weapon against your opponents considering the nature of the issue. People generally find it hard to realize this in the heat of the moment.


Spoiler: Extreme TL;DR version
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capefeather wrote:
Spoiler: Extreme TL;DR version
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Thaaaaaat's the one.
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capefeather wrote:
Spoiler: "Reply 1"
icer wrote:
That GS2 and 3 have suddenly become functionally redundant at some point in history is a far more irrational concept than GS4 being a separate story with its own timeline. The future of the series is whether the 'GS3 is redundant' policy will be continued or ret-coned in the AJ arc or future games mentioning AJ [GK etc.]. The main point of contention in the fandom is over how acceptable the GS3 is redundant policy is, and to what point it should or should not be reversed.


icer wrote:
I can ask you the similar question. Why NOT? Why is the concept so threatening to people?


It seems like you're making a distinction based on whether the writers will intentionally contradict the Phoenix arc. It's not that I'm "threatened" or whatever. It's just that when people see the same character in two games, the natural assumption is that the two games are part of the same timeline. The CAU idea seems pointless and vague to me. I'm still not convinced that it would have any benefit or disadvantage over the natural assumption and it doesn't seem sensible to challenge the natural assumption when alternative seems to fix absolutely nothing and it's no more grounded in solid proof. "Redundant", "different timeline"... What's the difference, ultimately? Does it mean that the Apollo writers get freedom to contradict the Phoenix arc liberally? The problem with that is that that issue, in all likelihood, will never, ever come up. The Apollo writers probably won't even think about contradicting the Phoenix arc for the same reason that it might be considered pointless to challenge the natural assumption. It's not like they're going to pull a Batman Begins, where they explicitly intended to make it completely separate from the unified DC universe.

Ultimately, it seems like all this is is an attempt to appease the stubborn, the stupid, and the reactionary, people who can't accept that a series can change, and thus hate AJ unfairly. This excludes people who dislike AJ out of preference and/or due to genuine reasons, though. If that's the case, why bother? They're just a vocal minority anyway. People can, you know, just accept that there is a problem. It's not like anything's going to change if we ignore it.

Chrono Cross isn't a different universe from Chrono Trigger just because only one of Trigger's writers worked on Cross, even if Cross contradicts Trigger in several areas. If there is any controversy about how Cross handled the series (and there is controversy), the developers don't have to do squat to remedy such an ultimately minor problem. In fact, they didn't do anything until the DS remake of Trigger, and even then, they gave players a new controversy to worry about: whether Guile is Magus.


Spoiler: "Reply 2"
icer wrote:
If every single one has an explanation which is just as plausible, if not more, how come I haven't seen adequate alternate explanations, not just to individual points but the concepts and seeming production standards as a whole.


You have some examples in your little page over there. Sure, they're not grounded in fact, but for this kind of situation, nothing is grounded in fact. And that doesn't make those explanations invalid, just unsound. Your alternatives aren't exactly sound, either, relying heavily on interpreting the thoughts of the developers.

icer wrote:
The mental compensations required are too extreme to be justifiable.


No, they aren't. It seems like you're confusing holes with blatant contradictions, and I'd say that none of what you've brought up is a blatant contradiction.

icer wrote:
I didn't decide I wanted this to be an alternate timeline, oh no, it's like discovering global warming or something. After examining the game, peoples' varying reactions and the discontinuity, this is just the unfortunate conclusion I came to of the writing and production.

GS4 was not produced as, written as or intended to be a follow-up to GS3 and all you people know it, subconciously. This is why you paraphrase it as 'It's Apollo's Turn Now!' and feel genuine attention to characters like Edgeworth or Maya in GS5 or Phoenix again becoming a lawyer are 'unnecessary', because that would render it as a follow-up to GS3.


All you're doing is stating a demonstrable fact that no one's denying, and you're putting the "Apollo's turn" argument into the wrong context.


Spoiler: "Reply 3"
icer wrote:
And in all honesty, I don't think that Takumi or even Matsukawa would ever deem such insanity of making a production standard of 'GS2 and 3 are suddenly irrelevant and redundant, but 1-5 and earlier is not, in terms of plot and characterisation, but it's still supposed to be a follow-up to GS3, timelinewise, some purge of PART of Phoenix's past history just demoted it to irrelevancy.'


I honestly don't know why you consider 1-5 so much more relevant to AJ than the other cases. I don't think it is. Sure, you have characters returning from that case, but most of them are minor characters and another was changed drastically. Other than that, 1-5 is not that much more relevant than anything else. If anything, I'd say that AJ Phoenix is hardly based on anything specific in Phoenix's arc at all. He was just a lawyer whom had a knack for turning things around and whom Apollo idolized somewhat, and Ema was just one of those people whom have him to thank for his achievements. It's not like they can completely ignore Ema's past with Phoenix, what with her making a personal appearance, but the extent of that reference is very minimal and its impact on AJ is nonexistent.

One good example of this is StarCraft. The novel Queen of Blades introduced a character named Matt Horner. The novel itself contradicted the game left and right, and from what I heard the novel was deemed non-canon (or, at least, a lower level of canon than the game). However, some time during StarCraft II's development (it's still in development :chinami:), the game's story developers, one of whom had complete control over the StarCraft game's storyline, decided that Matt Horner was "cool" and put him into the game. A couple of other ideas from the novel were adopted and canonized as well. That doesn't make the novel more important than anything else, and it certainly doesn't make it more important than the original game.

Another interesting point from StarCraft is that one of the main characters, Jim Raynor, is now a heavy drinker who's getting discouraged and being tempted into piracy. There are plenty of people that see this characterization as too different. But it would be kind of silly to consider StarCraft II an alternate universe, even if it occurred right after StarCraft I. Who knows? Maybe they'll make a flashback mission and forget that Jimmy isn't supposed to be a heavy drinker, or forget to change his model to reflect his StarCraft I appearance better, or something. Even then, they could refer to other novels to account for it.

I get a similar vibe from the story developers of Ace Attorney; they don't seem to care all that much about strict continuity at the moment. Whatever they authorize is part of the mess that they call a universe, and they may come to try to solidify the universe one day... or, unlike Blizzard, they may not.

I think you're making too big a deal out of the whole "purge" thing. You also seem to be comparing this to comic book universes, where people are authorized to write a story about someone but they can ignore precedent all they want. This is very, very different from the situation here, where the same main developer group, which may have changed members but still has the same director, contributes to the top-tier canon storyline. In games, people don't often care all that much about getting the plot straight and they just want the story to be good enough to carry the player through the game. To bring back the example earlier, StarCraft products contradicted each other all the time, but there was never any thought about creating alternate universes where one product holds in one but another product holds in another. The story developers for that game have explicitly referred to StarCraft as a single universe many times.


Spoiler: "Reply 4"
icer wrote:
What's the official line of release? I believe the official line is 'GREY AREA'. Takumi and Matsukawa intended an alternate timeline/scenario, the closest they could effect to a [desired] genuine separate arc whilst still returning Phoenix to a pivotal role, but due to marketing/acceptability/confusion, it could not be CONCLUSIVELY labelled as one, much as they wanted to break away with their 'new story'. But, neither is it defined as a follow-up to GS2/3, obvious constraints are in effect to prevent it being explicitly defined as one. This suggests Takumi and especially Matsukawa don't want it to be, because it is ACTIVELY prevented from having conclusive and literal associations to make it one.


Trying to read the developer's mind can get very dangerous, regardless of how valid the argument is. What the developers intended doesn't really matter in the end because no one can conclusively read their mind. It only matters that they advertised and described the game in certain ways. They left it rather gray in the ads, but that's not soundly indicative of anything other than perhaps what we already know from, again, what they've explicitly said about the game.

I honestly don't like it usually when there's a spinoff of a story and elements from the original story come back. I feel it's corny and takes away from the spinoff. Maybe the developers agreed... So interpretations can go in any direction.


Spoiler: "Reply 5"
icer wrote:
Why a separate timeline? Because a new conceptual story with past history missing but some still there before a certain point is an alternate timeline, conceptually, it's what Takumi and Matsukawa were thinking, since a 'reality rest' on the same timeline but not of 1-5 is illogical and unprecedented. Everybody understands this is conclusively defined as the 'new story' Takumi wanted, nobody complains about contradictions, such radical compensations do not have to be made in players' minds, there will be no demand from fans or marketing to return GS3-era plot or chars and compromise the separate story, Phoenix arc can again be properly marketed and enjoyed as a separate property et al.


That completely ignores the higher-order impact this would have on the fanbase. At this point, it would look like a cop-out and a drastic measure done just to appease loud, angry fanboys/girls, and ironically enough, lots of fans don't like that, either. And it would necessarily be considered drastic by many simply due to the natural assumption I talked about earlier.

icer wrote:
[If you're so worried about the sanctity of canon, how do you explain the 'alternate timeline' of, say the musical? A second is going to be produced, and it has official blessing. A separate scenario featuring the character Phoenix Wright! Ah, but it's official, and it must be canon, and nobody actually said it was an alternate timeline...]


This, again, fails to recognize the distinction between creator-published and creator-authorized works. Take Star Wars, for example. (Wow. I'm starting to sound like a hardcore sci-fi nerd :meekins:) There are the movies made by George Lucas, and then there are the countless other media concerning Star Wars that comprise a Lucas-authorized universe. That is, Lucas has nothing to do with the expanded Star Wars universe, and he has reportedly read very few Star Wars books, if any. The thing is, though, that people whom like only the movies and don't care about anything else, well, don't have to care about anything else. They trust (and, in Star Wars's case, they know) that the movies will trump everything in terms of canon. The same distinction can be made for the musicals, the manga, etc. but not for something that's called "the fourth game".

(lol @ quoting me twice)

icer wrote:
capefeather wrote:
the myriad of ghost reports around the world have just about the same credibility just because there are so many of them.


This is not a valid comparison to anything.


I'm just saying that lots of evidence doesn't conclusively prove anything. Explanations like "Maya couldn't go to Phoenix" or "Maya did go to Phoenix but it's not relevant to Apollo" or "Maya used to go to Phoenix but she can't go that often because she's not a money tree, and it's a lot cheaper just to send him those videos" are valid just as "Maya doesn't exist" might be valid. Likewise, every valid point can be countered by another valid point, one by one, to show that the conclusion is far from sound.


Spoiler: "Aside"
icer wrote:
It's not my fault people don't see this as a 'discussion forum' but WWIII or something, whenever the discontinuity issue is touched upon, which just proves everyone is really aware it's officially a grey areas and thus feel 'threatened' in their tenuous position.


And yet I'm starting to think it is partially your fault. Sure, something like this is bound to get people angry because it's a radically different suggestion. (My claim that RPGs don't have "best characters" because RPGs don't have competitive goals met with a considerable amount of backlash, and then there's the intense enmity between Smash World Forums and Shoryuken to name one such forum-to-forum rivalry.) However, there's more to it than that. The way you go about communicating your arguments strikes me as very confrontational, almost insulting at times.

1. No. You do not conclusively know what other people think, not even what groups of the fanbase think in general. This includes characterizations of people. I do not know this either, and neither does Croik or anyone else. Just saying "you think this" is anger-inducing in general even if you are right.

2. No. You don't have to repeat the same thing over and over again in the same couple of paragraphs or even in the same post. All that does is intensify any negative reactions to what you're saying. At least that's the impression I get.

3. No. What other people think do not necessarily run into self-contradictions, and implying as such is stupid and just makes you look closed-minded, which is supposed to be your weapon against your opponents considering the nature of the issue. People generally find it hard to realize this in the heat of the moment.


Spoiler: Extreme TL;DR version
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This post is epic and true to the extreme. Even without the last pic.
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ALL GLORY TO THE HYPNOGANT
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Capefeather threw the grenade...

But how will icer react?

I loved the post, Cape.
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Whoa. Okay. Everybody, let's chill and calm down, shall we?

I was thinking.. because I'm weird and I'm up at 5:15 in the morning.. but.. call me crazy or lack of sleep, BUT...

What if case 1-5 was moved? What if it didn't exactly happen in a order that we thought it did?

We're all assuming that it's in chronological order, but let's remember what Mia said, think outside of the box. The craziest thing must be the truth. Also, if you look in the CR's timeline, it's written right there; both of the cases take place in February, but only two years apart.

Call me crazy, but I have the sneakest suspicion that case 1-5 doesn't belong where it is. I think, it belongs before 3-5. There's some method to this madness so I'll be as brief as possible.

Each trial lasts about 3 days about correct? So, what if this quick sceneario happened:
-Maya and Pearl are at Hazakurain for a few days getting prepared for the trip with Nick in the few coming days.
-Phoenix does the trial with the Skye sisters and all's done and well.
-Edgeworth goes back to whever he's going...

Thus starting the events of 3-5.

Then Polly comes around, and all those events happen. If.. my math is correct, everything should add up decently well. 7 years have gone by and Ema's in the picture with her case in tact.

Also, PW is just coming out to America for the first time on the DS. By this time, Phoenix is already done on all GBA versions, so the writers know what the ending is going to be, so maybe, they thought, "Oh, DS is out, let's do a filler case that sort of ties in with the ending." I really don't think that it can remotely relate to the 1-4 than 3-5.

Anyways, it's just a thought. Take or leave it. :keiko:
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It's crazy.

First of all, it does relate to 1-4, Phoenix, Edgey and others talk about it a lot.
Then, Maya was away for more than merely 3 days, stated near the beginning of 1-5.
None of the characters have the post-JFA development.
Also the ages of the characters...


Last edited by Szabu on Sat Mar 14, 2009 9:22 pm, edited 1 time in total.
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Yeah, what Szabu said. I also believe Edgey was away before Nick falls into the river?
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Why the hell would they bother putting a case right before 3-5 in the first game? That doesn't make the slightest bit of sense.

EDIT: Also, I believe that 3-5 happened in Febuary BEFORE 1-5 would have anyway.
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Well, do recall that by the time that the DS version of the game came out to America, the GBA was already done, meaning that the original Gyakuten triology was complete, meaning that everybody knows what happens in the end of 3-5.

I think that the reason that they implimented the case was as they advertised it to be: the usage of the microphone and other fancy stuff on the DS.

Well, remember also, Edgeworth left, came back, saying he knows what it's like to be a prosecutor. He didn't exactly say that he learned what a lawyer was, so when the event of Phoenix falling into the river, he didn't exactly have to come back. He could have just stayed there...

And, if it doesn't add up before the events of 3-5, maybe it happened afterwards. Either way, I still think that it's a really high possibility that 1-5 is before or after the events of 3-5... :sadshoe:
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Hananosei wrote:
Well, do recall that by the time that the DS version of the game came out to America, the GBA was already done, meaning that the original Gyakuten triology was complete, meaning that everybody knows what happens in the end of 3-5.

I think that the reason that they implimented the case was as they advertised it to be: the usage of the microphone and other fancy stuff on the DS.

Well, remember also, Edgeworth left, came back, saying he knows what it's like to be a prosecutor. He didn't exactly say that he learned what a lawyer was, so when the event of Phoenix falling into the river, he didn't exactly have to come back. He could have just stayed there...

And, if it doesn't add up before the events of 3-5, maybe it happened afterwards. Either way, I still think that it's a really high possibility that 1-5 is before or after the events of 3-5... :sadshoe:


Have you read what I said? If nothing else, then the ages of the characters contradict your theory.
And the "original trilogy is complete" argument isn't a good one. There have been many, many midquels in the history of storytelling.
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I'm pretty sure 1-5 takes place before 3-5 and after 1-4 since Phoenix says he hasn't seen Maya for months, the fact that they are STILL talkng about 1-4 and Edgeworth's problems,as well as the ages which were said in previous posts.

I'm playing 4-4 again, and I found something quite interesting that Phoenix says relating to the Magatama issue.
Quote:
My magatama...one of my most prized possessions, which I got during a certain case.)


How could Maya give the magatama simply as a present this way? Maya never gave him anything of the such at the ending of 1-4 and that was after the case anyways. Plus, he doesn't even see Maya in 1-5, so how is that even possible?
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Exactly, it was during a case, not after.
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Yup.

If you think "Oh, he could of recieve the magatama during another case." Think again. According to your theory, Nick never saw Maya again after the events of 1-4 and her departure to Kurain. Even if he did get it during Maya's depature, wouldn't there be Psyche Locks in 1-5? It'd be pretty late if she send a goodbye present during a case taking place after 1-5 anyway. In GS1, Phoenix doesn't even know much about spirit mediums, aside from the fact that they channel dead people, let alone anything about their magatamas. Which are important as some ordinary necklaces or charm in the first game. If Nick got said magatama via mail, he'd think it would be just a charm to remember her by and wouldn't even know about these Psyche Locks, it wouldn't be one of his most prized possessions. In 4-4, it seems he knows ALOT about these Psyche Locks and has been using them for quite a while, it just so happens that he gets this during a CERTAIN CASE. If this AU theory is true, then coincidence much? Or is this in your eyes, "Just another easter egg."
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So pretty much we can just say Hananosei is stupid and that 1-5 is called 1-5 and not 3-6 for a reason.

AUs are stupid in this kind of franchise.

Phoenix Wright is a piano and card player, not a lawyer. If you want a sequel to his story, then beg for a Phoenix Wright: Pianist Hero or Phoenix Wright Poker World Championships 2027.
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A poker game with Phoenix Wright.
That's actually a pretty good idea for a mini game.
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Ceres wrote:
A poker game with Phoenix Wright.
That's actually a pretty good idea for a mini game.

Didn't they actually sell one as a mobile phone game?
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Pickens wrote:
Phoenix Wright is a piano and card player, not a lawyer. If you want a sequel to his story, then beg for a Phoenix Wright: Pianist Hero or Phoenix Wright Poker World Championships 2027.


Don't talk like Phoenix HAS to be a pianist/poker player, from what I played in 4-4 I could see he hates that job, and he only took it to lure Zak over and confront him about what happened. I wouldn't be suprised if he's working a real job by the next game, either head of the jurist system, a lawyer, or even a private investigator.

Actully a GK2 with Phoenix as a private eye would be incredably awesome. :godot:
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DarkWobbuffet wrote:
Pickens wrote:
Phoenix Wright is a piano and card player, not a lawyer. If you want a sequel to his story, then beg for a Phoenix Wright: Pianist Hero or Phoenix Wright Poker World Championships 2027.


Don't talk like Phoenix HAS to be a pianist/poker player, from what I played in 4-4 I could see he hates that job, and he only took it to lure Zak over and confront him about what happened. I wouldn't be suprised if he's working a real job by the next game, either head of the jurist system, a lawyer, or even a private investigator.


He's already the head of the jurist system, being the one revived it.
I'm replaying 4-4 right now, and he doesn't say anything about hating his job. He gets mad at the fact that he never gets to play the piano since the customers always whine. :P Phoenix was started playing poker because it was the only talent he was good at he could think of (for the talent agency) and he needed to support Trucy. He didn't even know that Zak was going to show up and thought he disappeared for good.

About the mini-game thing, it'd be pretty fun if they made it. Maybe they could make you play poker for section of a case? Doubt it though.
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Okay, so let's get back to the main topic:

Who do you think will return in AJ2 from the old cast?

My guess:

Maya, helping Apollo with one case after Phoenix introduces her to Apollo
Pearl, being with Maya, may also assist Apollo in a case or two, like she did in 2-2 and 2-4
Franziska, could be a prosecutor in one case
Shelly de Killer or his successor, unless he is in GK
Hotti with another new name, that'd be hilarious
Payne, ovbiously
Ema, obviously
Phoenix, obviously
The judge, obviously
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Colour wrote:
He's already the head of the jurist system, being the one revived it.
I'm replaying 4-4 right now, and he doesn't say anything about hating his job. He gets mad at the fact that he never gets to play the piano since the customers always whine. :P .


He hates piano. Totally canon.

He is not the 'head of the jurist system being the one who revived it'
. No disbarred hobo would be the one allowed to revive the jurist system, he just got to manage a single test trial. There's no confirmation it's ongoing [or that juries will be implemented in future after the trial, very ambiguous all round this game] and it would have been higher-ups who 'revived' it, he just got that one job.

Capefeather I will reply to you when I manage to get some sleep.

@Szabu: We know nothing about GS5 so we have no idea who will return. We don't know which direction they are taking with the series. Theres' not much point in making wild guesses with nothing to support them.

@Hananosei - Are you saying they should ret-con 1-5 to MOVE it to after 3-5 belatedly so it makes more sense re. GS3 - 1-5 - GS4, since it's a 'spiritual interquel' after GS3? Or are you saying it is after 3-5?

The problem is, when it was written, it fitted and was designed to fit between 1-4 and GS2 just fine. Moving it would create more plot holes than it fixed, quite a lot would have to be changed. They should simply have thought a little harder if they wanted to make a sequel to 1-5 and have it not asynchronous with GS3. It's true if 1-5 was edited to be after 3-5, a lot of the discontinuity to the 'new arc' would be fixed, but 1-5 has been out for years so they're not 'updating' it now.
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Geez icer, it's only speculation since logic dictates that it will be Apollo at the lead again.
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I could imagine that Phoenix will be part of the jury in the future and completely merge into his work. Encouraged, he'll get out of his jogging suit and starts looking for another job to make money for his second bar exam. We'd then have another mentore figure, and just think what a lovely tutorial case that'd make. ("Oh, Justice, I still know how to do it, you have to press the Court Records button!") Alternately, Maya comes in to kick his ass in the right direction.
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Now that they've done most of the new arc main character sprites for GS4, they could start not being lazy and make new sprites for Phoenix, a lawyer again. And Maya, too.

I mean, they probably won't continue the "omg, Phoenix is disbarred, now he is a poker / piano player" storyline, since there isn't any more to add to that topic. There's no reason not to make him retake the bar exam and be a lawyer again for fanservice and simply making sense.
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Szabu wrote:
I mean, they probably won't continue the "omg, Phoenix is disbarred, now he is a poker / piano player" storyline, since there isn't any more to add to that topic. There's no reason not to make him retake the bar exam and be a lawyer again for fanservice and simply making sense.

What are you talking about? A disbarred lawyer turned poker/piano player/talent agency owner sounds like it would make an amazing sitcom.
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Pickens wrote:
What are you talking about? A disbarred lawyer turned poker/piano player/talent agency owner sounds like it would make an amazing sitcom.


Yeah maybe, too bad this is a video game series. :P
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