I do declaim that you, sir, are a cad!
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As the
Ace Attorney series enjoys the name
Turnabout Courtroom back in the Nippon, it's easy enough to see why the titles of the cases are all oriented about the central word of "turnabout": it's reinforcing the important theme of the screeching hairpins of argument and circumstance that hook around the courtroom floor.
Even if the titles are appropriate, though, they do have the unfortunate repercussion of leaving "Rise From the Ashes" terribly exposed - the only game in Phoenix's trilogy (and if "Turnabout Trump" in the upcoming GS4 is any indication, the entire series as a whole) that doesn't share the 'Turnabout' motif. My heart goes out in sympathy to poor, dejected, "Rise From the Ashes" - isolated, if not ostracised, from its brethren, it shuffles amongst the electronic wastes alone and apart; hardly a fate that seems fair for one of the longest and most intricate of the series' courtroom conundrums. In a gesture of solidarity with the scrapes and japes of Gant, the Skyes and the inimitable Meekins, then, I decided to conjure up some alternative titles for the original cases of
Ace Attorney and
Justice For All which would remove the 'Turnabout' qualifier while still remaining true to the spirits of the cases themselves:
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"The First Tunrnabout" -
"OPENING STATEMENTS"As well as forming our introduction into the long rip-roaring rollercoatser ride of legal legwork and brutal bickering of this series, opening statements are common practice amongst the barristers during a trial to summarise their perspective on the case.
"Turnabout Sisters" -
"KEEPING THE FAITH"It may not be obvious at first, but a title like this has several links to the nature of the case. The importance of otherworldly power in this episode establishes the spiritual theme, and it is something that needs to be maintained when the situation in this intense encounter becomes so dire, and the case against the defence so granitely invincible, and the attitude of the true villain so impregnably asserted that Phoenix himself finds himself driven down into the depths of the dock! As Phoenix Wright also strides forth as his own master from this point, we also see the steel with which he girds himself in readiness for the blows that he will endure in that quest to propogate justice - a foundation of trust and belief in the virtue of his client that is a touchstone for him throughout the series (so much so that it becomes a central plot point in "Farewell, my Turnabout").
"Turnabout Samurai" -
"ENCORE, ENCORE!"As well as being indicating the role of the witnesses in the business of acting (and its actual practice too, given the deception involving costumes in the case), this title is a darkly ironic pun of the actual crime itself: a disturbing reflection of the accident which began the whole sorry saga of bitterness and revenge.
"Turnabout Goodbyes" -
"OUT OF MURKY DEPTHS"This title is appropriate given that a greater part of the case is devoted to dredging forth uncomfortable - and confused - memories from the darkness of suppression and bringing the actuality of the myth and misrepresentation that they've been drowned by to light. The role of the legendary lake monster, Gourdy, is also significant in this case, establishing a more direct basis for the title.
"Rise From the Ashes" -
"RISE FROM THE ASHES"As the expression goes, "If it ain't broke, don't fix it." ;)
"The Lost Turnabout" -
"THE HARD SELL"I will have to admit that I encountered some difficultly when conceiving of a title for this case. Initially I decided on "THE FIRST STONE", referencing the Biblical account, which would be an ironic name given that the true villain slings about aspersions (and fire extinguishers...!) with gay abandon and not a little arrogance. Accepting that this was a little too oblique (and even as much as I admire the
Ace Attorney games, I wouldn't compare them to the Holy Scriptures!), though, I settled on "The Hard Sell" given the fact the villain's pretensions of being on 'perpetual sabbatical' are appallingly transparent, and also his actual life of sin as a con artist.
"Reunion, and Turnabout" -
"FROM BEYOND THE GRAVE"Raising the dead and compelling them to disgorge the secrets that have festered and mouldered underground is something that features quite prominently in this case. First we have the fateful channeling exercise at the start; the relation again to a past case and a whole drove of deaths; Ini Miney's impersonation of her deceased sister; and then the indirect role played by Ami Fey's remains in helping to resolve a conundrum in the case.
"Turnabout Big Top" -
"SLEIGHT OF HAND"Maximillon Galactica, the defendant, is a magician and throughout the entire case sheds cards like others would skin - he even introduces himself to Maya with a card trick. His "fabulous" personality is in and of itself a trick, a maskque slotted down to disguise his ever-so-'umble origins. The disgraceful deed of monstrous murder could also have been easily avoided if it weren't for the slip of the villain's own hands (and attention is drawn to his developed upper body during the trial) and the weapon's fall on an unintended victim.
"Farewell, my Turnabout" -
"TIES THAT BIND"Again, this is a statement of the theme whose veins are shot through the entire scenario. From Phoenix's caring for Maya and his desperation (and determination) to protect her, his moral wrangling over obligation and conscience concerning the defendant's actual guilt, Adrian Andrews finding her psychological rock in Celeste Inpax, the brusquely broken marriage which drove Inpax to suicide, the pathological rivalry between the two actors, and Shelley De Killer's honour code and observance of contracts.
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How do these sound? Can you think of any alternatives?
Last edited by Robert Frazer on Tue Mar 13, 2007 1:09 am, edited 2 times in total.